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Writing in ZG’s “New York” issue in 1981, Lawson proposed a group of artists including himself, Sherrie Levine, Richard Prince, David Salle, and Walter Robinson whom he saw as presenting an alternative to an art world “caught up in a narcissistic system” that was “self regarding, self enclosed, and irredeemably boring.” For these artists hair toppers, “the most arresting images were being presented by the propaganda industries the mass media of television, movies and advertising.” Collectively these artists’ works displayed a “familiarity towards popular culture. A mixture of love and contempt for the ever present images of capitalist consumerism.” Lawson and Morgan, feeling the lack of a public forum for their work which, according to Lawson hair toppers, “sought precisely to provoke dialogue” realized that what was needed was a magazine. (By the late ’70s Robinson and Edit deAk’s influential New York based Art Rite had all but ceased publication, and the mainstream art press had yet to signal any substantial interest in the new work that so enthused Lawson.) So in March 1979 Real Life a title suggested by its debut issue cover star, Sherrie Levine was launched on an unsuspecting world..

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